Borges famously said that it is a “laborious madness and an impoverishing one, the madness of composing vast books,” and to that end never wrote anything more than a score pages long. Trending thought it did toward the small, yet his work cannot be labelled minimalist. There are pages, rather, that contain entire worlds, paragraphs as vast as the universe, and sentences that hum with the impossible magic of quantum mechanics as their limit approaches zero. Borges’ stories are profound and playful and the delight he took in the paradoxical palpable. He was a puzzler who knew the value of a puzzle is not in its solution; games of ontological chess were played with adversaries such as Nietzsche, Plato, Zeno of Elea, Bergson, Schopenhauer, & co. With formidable erudition and singular vision it was inevitable that Borges should become as influential as he is. But, lest the reader think this the preface of an article on his greatness, allow me to turn to the matter at hand: a few pale and wanting thoughts on the short fiction of Peter Adolphsen which, it will be noted, exhibits Borgesian traits.